'ART' FROM THE WALLS OF A PISSING CUBICLE, IN THE FILM "THE FRENCH DISPATCH"......WORSHIPPED BY 'ART CRITICS'....EVEN WHILE BEING OBSERVED 'UPSIDE DOWN'.....WITH REVERENTIAL ENTHUSIASM......

Posthumous tribute to Moses Rosenthaler's last important Work, executed on the backboard of an Indigo Parisian Pissoir, then secreted, by the Blackmarket, at a cost of many lives and $26.3M, to The Guggenheim, where it hangs, upside down.....and has been photographed hundreds of millions of times.......While many claim the 'ownership' of this media-proclaimed masterpiece, the 'informed' and less supercilious members of the "Art"World know that the original abstraction is but an act of indulgence for Freedom From Restraints....still, a facetious emotional release in expired, separated oils and spilled egg yolk and shoe goo in suspension......still on a prison toilet's walls, next to the janitor's closet, sharing the rusting walls with the primitive nail and glass shard engravings of desperate doldrums and suppressed & repressed emotion.....After a billion 'likes', the fake, meaningless-but-for-projection 'Work' will join Banksy's shredded Girl With A Balloon.....and, after Scott Smith completes his screenplay, will be the Focus of Giuseppi Capodonti's soon to be made for TV film, "Burnt Orange Was Yesterday's Lapis", featuring an all star cast, selected from the covers of old Photodramatist Pulps, Dna-Lab resurrected via the wonders of modern Science.......{More to follow, 'free', with your paid subscription to "The Mary Wollstonecraft Journals" or your Search History having shown multiple clicks on either Jackson Pollock or Willem De Kooning....and, of course, Wes Anderson.}